Prufrock at a Century
-
1
Universidad de Huelva
info
ISSN: 0214-0691, 2530-8254
Year of publication: 2015
Issue Title: Las religiones como encrucijada
Issue: 5
Pages: 307-324
Type: Article
More publications in: Erebea: Revista de Humanidades y Ciencias Sociales
Abstract
This essay glosses the identity of J. Alfred Prufrock, the persona who voices T. S. Eliot’s “The Love Song of J. Alfred Prufrock” (1915). The essay begins by looking at the nature of proper names, and it then glosses the identity of Prufrock with lyric, socio-historical, and authorial formulation, along with the formulation of impasse and despair. The essay sees Prufrock voice a divide between erudite thought and immanent sexual energy, and it ends by positing a variable in identity beyond social determination.
Bibliographic References
- Prufrock the Proper Name In the chapter “Reference, sense and denotation” of his prodigious Semantics
- John Lyons, Semantics. 2 vols. Cambridge: Cambridge University Press, 1977, 1: pp. 179, 198, 223
- Emmanuel Levinas, Totality and Infinity: An Essay on Exteriority. Trans. Alphonso Lingis. Pittsburg: Duquesne University Press, 1969, p. 18.
- Dante Alighieri, La Divina commedia. Torino: Unione Tipografico-Editrice Torinese, 2000
- “Inferno,” canto XXVII, ll.61-66, p. 248.
- Dante Alighieri, Inferno. Trans. Michael Palma. Ed. Giuseppe Mazzotta. New York: Norton, 2008, p. 102.
- For reference to the Prufrock-Litton Furniture Company, see Stephen Stepanchev, “The Origin of J. Alfred Prufrock,” in Modern Language Notes 66.6 (1951), pp. 400-401.
- Ernest Klein, A Comprehensive Etymological Dictionary of the English Language. Amsterdam: Elsevier, 1966, p. 48.
- Albert C. Baugh and Thomas Cable, A History of the English Language. 4th ed. London: Routledge, 1993, pp. 69-70.
- Lyons, Semantics, 1: p. 222. 9 Michel Grimaud, “Hermeneutics, Onomastics and Poetics in English and French Literature,” in Modern Language Notes 92.5 (1977), p. 890.
- Christopher Ricks, preface to T. S. Eliot, Inventions of the March Hare: Poems 1909-1917. Ed. Christopher Ricks. London: Faber and Faber, 1996, p. xv.
- B. Ashton Nichols and Herbert F. Tucker, “Monologue,” in Roland Greene (ed.): The Princeton Encyclopedia of Poetry & Poetics. 4th ed. Princeton: Princeton University Press, 2012, p. 898.
- Hugh Kenner, The Pound Era. Berkeley: University of California Press, 1971, p. 134.
- Arthur Symons, The Symbolist Movement in Literature. New York: E. P. Dutton, 1958, p. 59.
- Helen Vendler, Coming of Age as a Poet: Milton, Keats, Eliot, Plath. Cambridge: Harvard University Press, 2003, pp. 107, 108.
- T. S. Eliot, Collected Poems: 1909-1962. New York: Harcourt, Brace & World, 1970, p. 3.
- William Wordsworth, The Poetical Works of William Wordsworth. Vol. 2. Ed. E. de Selincourt.
- Oxford English Dictionary Online, , s.v. Accessed 26 June 2015
- Erik Erikson, The Life Cycle Completed: A Review. New York: Norton, 1982, p. 43.
- T. S. Eliot, Inventions of the March Hare: Poems 1909-1917. Ed. Christopher Ricks. London: Faber and Faber, 1996, p. 39.
- Edmund Blunden, Poems: 1914-1930. London: Cobden & Sanderson, 1930, p. 163.
- R. G. Collingwood, The Idea of History. Oxford: The Clarendon Press, 1993, p. 60.
- Denis Donoghue, The Practice of Reading. New Haven: Yale University Press, 1998, p. 56.
- Shakespeare, Hamlet. Ed. Harold Jenkins. The Arden Shakespeare. London: Routledge, 1982, I.ii.85-86.
- W. B. Yeats, The Collected Poems of W. B. Yeats. Ed. Richard J. Finneran. New York: