A multimodal analysis for an updated vision of women in music videos

  1. María-Carmen Sánchez-Vizcaíno 1
  2. Lucía-Pilar Cancelas-Ouviña 2
  3. M.Carmen Fonseca-Mora 3
  1. 1 Department of Romance and Slavic Languages, Universtiy of Economics in Bratislava
  2. 2 Universidad de Cádiz
    info
    Universidad de Cádiz

    Cádiz, España

    ROR https://ror.org/04mxxkb11

    Geographic location of the organization Universidad de Cádiz
  3. 3 Universidad de Huelva
    info
    Universidad de Huelva

    Huelva, España

    ROR https://ror.org/03a1kt624

    Geographic location of the organization Universidad de Huelva
Journal:
Observatorio (OBS*)

ISSN: 1646-5954

Year of publication: 2023

Volume: 17

Issue: 3

Pages: 171-193

Type: Article

DOI: 10.15847/OBSOBS17320232229 DIALNET GOOGLE SCHOLAR lock_openOpen access editor HANDLE: https://hdl.handle.net/10498/31957

More publications in: Observatorio (OBS*)

Sustainable development goals

Abstract

A democratic society is characterised by the respect accorded to the dignity and rights of all its members. These values are also transmitted by high-consumption media cultural products such as music videos. This article discusses the representation of women in music videos published in Spanish on music broadcast platforms in 2019 in order to observe the multimodal discourses to which our society is exposed. After identifying a total of 4197 videos, 47 of the highest emission frequencies were extracted. Using the qualitative data analysis programme ATLAS.ti, narrative, linguistic and visual resources, as well as cinematographic components, were analysed. The results reveal clear attacks on female dignity. Normalised sexist violence is observed in songs on the Hispanic market, where women are commodified as sexual objects on both audiovisual and linguistic levels. Hierarchical relationships are also shown, which position women on an inferior plane. In conclusion, commercial channels broadcast music videos from the Hispanic market that violate feminine dignity.