Publications (29) JOSE CARREGAL ROMERO publications

filter_list

2024

  1. “If you weren’t my friend I wouldn’t know who I was”: care virtues and the relational self in Sally Rooney’s Beautiful World, Where Are You.

    IJES: international journal of English studies, Vol. 24, Núm. 2, pp. 127-140

  2. “So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster

    English Studies, Vol. 105, Núm. 4, pp. 606-619

2023

  1. Introduction: Silences that Speak

    Narratives of the unspoken in contemporary Irish fiction: silences that speak (Palgrave Macmillan), pp. 1-19

  2. Narratives of the unspoken in contemporary Irish fiction: silences that speak coord.

    Palgrave Macmillan

  3. Unspeakable Injuries and Neoliberal Subjectivities in Sally Rooney’s Conversations with Friends and Normal People

    New Directions in Irish and Irish American Literature (Palgrave Macmillan), pp. 213-233

  4. Unspeakable Injuries and Neoliberal Subjectivities in Sally Rooney’s Conversations with Friends and Normal People

    Narratives of the unspoken in contemporary Irish fiction: silences that speak (Palgrave Macmillan), pp. 213-233

  5. “He’s Been Wanting to Say That for a Long Time”: Varieties of Silence in Colm Tóibín’s Fiction

    New Directions in Irish and Irish American Literature (Palgrave Macmillan), pp. 65-86

2021

  1. Queer Whispers: Gay and Lesbian Voices of Irish Fiction

    University College Dublin Press

2020

  1. Revolutionary Ireland, 1916-2016: Historical Facts & Social Transformations Re-Assessed coord.

    EER, Edward Everett Root Publishers

2019

  1. Gay Fiction, Homophobia and Post-Troubles Northern Ireland: An Interview with Jarlath Gregory

    Estudios irlandeses = Journal of Irish Studies, Núm. 14, pp. 198-206

  2. The Social Silencing of Male Prostitution in Keith Ridgway's "Angelo" and The Parts

    New Hibernia Review, Vol. 23, Núm. 1, pp. 122-137

2018

  1. González-Arias, Luz Mar Ed. 2017. National Identities and Imperfections in Contemporary Irish Literature: Unbecoming Irishness. London: Palgrave Macmillan. 248 pages

    Babel A.F.I.A.L.: Aspectos de filología inglesa y alemana, Núm. 27, pp. 207-212

  2. Irishness on the Margins: Minority and Dissident Identities

    ABEI Journal, Vol. 20, Núm. 2, pp. 135-137

  3. She would work out how she was going to live': Widowhood in Colm Toíbín's Nora Webster

    Irish University Review, Vol. 48, Núm. 2, pp. 348-360

  4. Silence and Familial Homophobia in Colm Toibin's "Entiendes" and "One Minus One"

    STUDI IRLANDESI-A JOURNAL OF IRISH STUDIES, pp. 393-406

  5. The Irish Female Migrant, Silence and Family Duty in Colm Tóibín’s Brooklyn

    Études irlandaises, pp. 129-141

2017

  1. "What was a family?": Politics, sexuality and social change in Colm Tóibín's the heather blazing and his early-1990s journalism

    Moderna Sprak, Vol. 111, Núm. 2, pp. 62-77

  2. Sexuality and (Self)Censorship in Colm Tóibín’s The South: A Comparative Analysis Between the Published Text and the Drafts

    Critique - Studies in Contemporary Fiction, Vol. 58, Núm. 4, pp. 377-386

2016

  1. The cultural narratives of AIDS, gay sexuality, and family in Colm Toibin's The Blackwater Lightship

    Papers on Language & Literature, Vol. 52, Núm. 4, pp. 350-350

  2. Transnational Story-Making and the Negotiation of Otherness in The Transnational Story Hub

    The Transnational Story Hub: Between Self and Other (Centre d'Estudis Australians, Universitat de Barcelona), pp. 57-71