Oblique Kinds of Blackness in Esi Edugyan’s "Half Blood Blues"

  1. Pilar Cuder-Domínguez 1
  1. 1 Universidad de Huelva
    info

    Universidad de Huelva

    Huelva, España

    ROR https://ror.org/03a1kt624

Revista:
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

ISSN: 0210-6124

Año de publicación: 2017

Volumen: 39

Número: 2

Páginas: 89-104

Tipo: Artículo

DOI: 10.28914/ATLANTIS-2017-39.2.05 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

Resumen

Este artículo se centra en los significados de la negritud en la segunda novela de la escritora canadiense Esi Edugyan, argumentando que el texto potencia múltiples lecturas. Por una parte, este efecto se consigue mediante la exploración de la raza desde una perspectiva historicista y geográficamente situada, ya que la obra analiza cómo el régimen totalitario alemán primero y la Segunda Guerra Mundial después coinciden en imponer formas de racialización diversas y a veces contradictorias sobre las poblaciones no arias. Por la otra, es igualmente el resultado de la convergencia de personajes que, aunque puedan ser agrupados fenotípicamente, de hecho, poseen características distintivas en cuanto a su origen, lengua y formación. Por todo ello, la novela constituye un claro ejemplo de las diversas experiencias y subjetividades afrodiaspóricas que Paul Gilroy denominó “el Atlántico Negro.”

Información de financiación

1The author wishes to acknowledge the funding provided by the Spanish Ministry of Economy and Competitiveness (Research Project “Bodies in Transit,” ref. FFI2013-47789-C2-1-P) and the European Regional Development Fund for the writing of this essay. Thanks are also due to Libe García-Zarranz and Beatriz Domínguez-García for their insightful comments on an earlier draft presented in the “Bodies in Transit” workshop held at Magdalene College (University of Cambridge, UK) on September 19th, 2016.

Financiadores

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