The shifting profile of Africa in twenty-first century Black Canadian writing

Referencias bibliográficas

• Ahmed, S. (2017). Living a Feminist Life. Durham: Duke University Press.
• Bitek, J. O. (2014). 100 Days. Retrieved 5 August 2022 from author’s website, https://julianeokotbitek.com/tag/100-days/
• Black Girl is food for thought at Shaw lunchtime show. (2016, 29 June). Niagara Falls Review. Retrieved 5 August 2022 from https://www.niagarafallsreview.ca/entertainment/2016/06/29/black-girl-is-food-for-thought-at-shaw-lunchtime-show.html
• Brand, D. (2001). A Map to the Door of No Return: Notes to Belonging. Toronto: Vintage.
• Brodber, E. (2003). The Continent of Black Consciousness: On the History of the African Diaspora from Slavery to the Present Day. London: New Beacon Books.
• Carrera-Suárez, I. (2017). Negotiating Singularity and Alikeness: Esi Edugyan, Lawrence Hill, and Canadian Afrodiasporic Writing. European Journal of English Studies, 21(2), 159–173. DOI: 10.1080/13825577.2017.1344470
• CBC Radio (2016, 6 June). Playwright Lisa Codrington Reinterprets the Black Girl in Bernard Shaw’s work. Retrieved 5 August 2022 from https://www.cbc.ca/radio/q/schedule-for-monday-june-6-2016-1.3617784/playwright-lisa-codrington-reinterprets-the-black-girl-in-bernard-shaw-s-work-1.3617793
• Chariandy, D. (2007). 'The Fiction of Belonging': Second-Generation Black Writing in Canada. Callaloo, 30(3), 818–829.
• Clarke, K. M. (2006). Globalization and Race. Durham, NC: Duke University Press.
• Codrington, L. (2017). Up the Garden Path and The Adventures of the Black Girl in Her Search for God. Toronto: Playwrights Canada Press.
• Cuder-Domínguez, P. (2012). Revisiting Slavery: African Diasporic Consciousness in Lawrence Hill’s The Book of Negroes. In P. Leese, C. McLaughlin, and W. Witalisz (eds), Migration, Narration, Identity: Cross-Cultural Perspectives (pp. 57–71). Bern: Peter Lang.
• Cuder-Domínguez, P. (2015). In Search of a ‘Grammar of Black’: Africa and Africans in Lawrence Hill’s Works. Research in African Literatures, 46(4), 90–106.
• Davis, T. D. (1998). Shaw’s Interstices of Empire: Decolonizing at Home and Abroad. In Christopher Innes (Ed.), The Cambridge Companion to George Bernard Shaw (pp. 218–239). Cambridge: Cambridge University Press.
• Ebron, P. A. (2002). Performing Africa. Princeton: Princeton University Press.
• Edugyan, E. (2014). Dreaming of Elsewhere: Observations on Home. Edmonton: The University of Alberta Press and Canadian Literature Centre.
• Equiano, O. (1995). [1789] The Interesting Narrative and Other Writings. Ed. Vincent Carretta. New York: Penguin.
• Fehler, B. O. (2011). (Re)constructing Roots: Genetics and the ‘Return’ of African Americans to Ghana. Mobilities, 6(4), 585–600.
• Finding Your Roots with Henry Louis Gates Jr. Retrieved 5 August 2022 from http://www.pbs.org/weta/finding-your-roots/about
• García-Zarranz, L. (2017). TransCanadian Feminist Fictions: New Cross-Border Ethics. Montreal: McGill-Queen's University Press.
• Hartman, S. (2008). Lose Your Mother: A Journey Along the Atlantic Slave Route. New York: Farrar, Straus and Giroux.
• Hill, L. (1992). Some Great Thing. Winnipeg: Turnstone.
• Hill. L. (1997). Any Known Blood. Toronto: HarperPerennial.
• Hill. L. (2001). Black Berry, Sweet Juice: On Being Black and White in Canada. Toronto: HarperPerennial.
• Hill. L. (2005, 12 February). Is Africa’s Pain Black America’s Burden? The Walrus. Retrieved 5 August 2022 from https://thewalrus.ca/africas-pain/
• Hill. L. (2007). The Book of Negroes. Toronto: HarperCollins.
• Hill. L. (2012). ‘A Person of Many Places’: Lawrence Hill in Conversation with Pilar Cuder-Domínguez. In B. Ledent and P. Cuder-Domínguez (Eds.), New Perspectives on the Black Atlantic: Definitions, Readings, Practices (pp. 295–310). Bern: Peter Lang.
• Hill. L. (2015). The Illegal. Toronto: Harpercollins.
• King, R., and A. Christou. (2011). Of Counter-Diaspora and Reverse Transnationalism: Return Mobilities to and from the Ancestral Homeland. Mobilities, 6(4), 451–466.
• McWatt, T. (2019). Shame on Me: An Anatomy of Race and Belonging. London: Scribe.
• Mensah, J. (2002). Black Canadians: History, Experiences, Social Conditions. Halifax: Fernwood Publishing.
• Nestruck, J. K. (2016. 29 June). Bernard Shaw Short Story Adaptation is the Highlight of the Shaw Festival. The Globe and Mail. Retrieved 5 August 2022 from https://www.theglobeandmail.com/arts/theatre-and-performance/theatre-reviews/bernard-shaw-short-story-adaptation-is-the-highlight-of-the-shaw-festival/article30673122/
• Philip, M. NourbeSe. (1991). Looking for Livingstone: An Odyssey of Silence. Toronto: The Mercury Press.
• Philip, M. NourbeSe. (1992). Frontiers: Essays and Writings on Racism and Culture 1984–1992. Stratford, ON: The Mercury Press.
• Philip, M. NourbeSe. (2017). Blank: Essays and Interviews. Toronto: BookThug.
• Phillips, C. (2000). The Atlantic Sound. London: Faber.
• Prince, A. 2001. Being Black. Toronto: Insomniac Press.
• Sears, D. (1990). Afrika Solo. Toronto: Sister Vision.
• Seremba, G. (2000). Come Good Rain. In Djanet Sears (Ed.), Testifyin’ vol. 1. (pp. 329–379). Toronto: Playwrights Canada Press.
• Shaw, G. B. (1932). The Adventures of the Black Girl in Her Search for God. London: Constable.
• “Shaw Festival 2016 Season”. (2015, 9 July). Retrieved 5 August 2022from https://neviews.ca/shaw-festival-2016-season/
• Tsuda, T. (Ed.). (2009). Diasporic Homecomings: Ethnic Return Migration in Comparative Perspective. Stanford: Stanford University Press.
• Wainaina, B. (2019). How to Write About Africa. Granta. Retrieved 5 August 2022 from https://granta.com/how-to-write-about-africa/
• Yorke, S. (2010). The Slave Narrative Tradition in